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Absolutely Outstanding Period Drama,
The greatly anticipated second series of Downton Abbey picks up two years on from the first series in 1916, in the middle of World War 1. Downton Abbey has been converted into a convalescent home for injured servicemen and the action covers the period from the Battle of the Somme up to the end of the war. As in the first series, topical events of the period, political, economic and military are covered.
The wartime scenario and the convalescent home setting provide an excellent background for some interesting story lines. The combination of excellent plot lines, great acting and the superb setting display all that is best in TV period drama. This time round we have eight more episodes to add to the seven in the first series. As befits wartime, the costumes are not as flamboyant as in the first series but they are thoroughly researched and appropriate to the period.
There continue to be many superb individual performances but mention must be made of Maggie Smith. What a stroke of genius to cast her as Violet. She dominates every scene she appears in and often has some very funny lines.
This DVD includes the Downton Abbey 2 hour Christmas Special which is probably the single best episode of Downton Abbey to date. High drama here with Bates on trial for murder as well as the usual romance, drama, betrayal etc one would expect!
The UK has a long tradition of producing fine period dramas and this is the most successful since the early 1980s when Brideshead Revisited: 30th Anniversary Edition took the world by storm. Peak viewing figures in the UK are 11m which is an astounding number for that market. It is pleasing to learn that a third series is already planned and we now know that this will cover an 18 month period from 1920 to 1921. This one is likely to run and run and I would not be surprised to see Downton Abbey continuing up to the 1930s eventually.
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|Well Worth the Wait,
I cannot review this set, as it has not yet been released. But I can tell others that it is well worth the wait. Here in the UK we are on the 5th episode of 8 and are promised a Chrsitmas special as well. I hope that will be included in the US version, hence the February release. The story is set during World War I and there are some spectacular twists to the story! Those you love and those you love to hate are all back, with some new characters as well. The scripts are very well written, Maggie Smith has some fabulous lines! The costumes and scenery are again lush. I am enjoying this series so much I have pre-ordered this set for my brother in the US. If you loved series 1 and got involved with the characters you will love series 2 which continues their stories. It is a huge hit here and they are already talking about series 3, to be set in the 1920’s.
Update: the DVD set has come out in the UK. I cannot know what will be on the US version, but the UK version has a section of deleted scenes. Have a look at them, some bits of the story make more sense. The reveiws here are mixed, as many thought it got too “soap opera” and predictable, while others felt it was unbelievable.
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|“War makes early risers of us all.”,
Considered one of the most successful “darlings” in the history of television, the first season of Downton Abbey achieved international success and a worldwide following. Its second season includes the same likable (and some not so likable) characters, but in an entirely new world…
When last we left Downton, the house was in turmoil at the recent news that war has begun with Germany. Some time later, the inhabitants of the great old estate have seen their lives immensely changed. Robert (Hugh Bonneville) feels inadequate and wants greatly to once more go to battle rather than staying at home and raising the morale of the women, and his wife Cora (Elizabeth McGovern) is too distracted to take much notice of his melancholy mood. Each of his daughters have embarked on individual quests to be of some use: Mary (Michelle Dockery) is both pining and praying for her beloved Matthew (Dan Stevens) at the front, Edith (Laura Carmichael) is learning to drive a tractor (among other things), and Sybil (Jessica Brown Findlay) is hoping to become a nurse at the local hospital.
Downstairs, Carson (Jim Carter) is attempting to contend with a limited staff and even scarcer resources. Mrs. Hughes (Phyllis Logan) is confronted with the antics and perils of a brand new maid with ideas above her station, and the would-be-romance between Anna (Joan Froggatt) and Bates (Brendan Coyle) is put on temporary hold when his wife (Maria Doyle Kennedy) arrives with a startling proposition.
While each of the characters confronts their fears and struggles to find a way to fit into a world that is altering all around them, the second season powers forward with purpose and sentimentality… although it does sometimes stray into convenient clichés and predictable outcomes. One of the more remarkable things about it is how this series manages to involve us so completely in the lives of its many protagonists, whether we love or hate them, find them irritating or are frustrated with their bad choices. This season finds a dramatic change in Lady Mary for the better, makes us feel sorry for Thomas (I never thought it possible!), and invokes tears of both joy and sorrow as each installment comes to a close. The writing is sometimes magnificent and sometimes subpar, its main problem in moving too quickly through situations (in some instances, I would have advocated slowing down) and not permitting the audience to really spend much time on some of the romantic relationships. It also on occasion suffers from “telling” rather than “showing,” which is a shame. Some moments are very, very good (such as an attempted assassination, the return of a missing soldier, and the final ten minutes of the finale) while others are downright cringe-worthy – Mrs. Bates in particular is too conveniently evil for my taste.
Season two has taken a lot of heat from critics and audiences alike for its predictable storylines and rampant clichés. Much of this criticism is deserved, since while some of the character development is believable (such as the transformations of Mary and Edith) other departures are completely unexpected and unlikely. The series hits all the right emotional notes but doesn’t quite have the spark of its predecessor. Gone are all the wonderful conversations and moments that were used to build character and humor and forthright plot-driven exposition is in its place. Even so, there are some terrific one-liners from Maggie Smith and the happy ending to one couple’s crisis is more than enough to redeem any of its mistakes.
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